Barbara e. and richard J. franke
DISTINGUISHED SERVICE PROFESSOR
IN ART HISTORY, CINEMA & MEDIA STUDIES AND THE COLLEGE
UNIVERSITY OF CHICAGO
Barbara e. and richard J. franke
DISTINGUISHED SERVICE PROFESSOR
IN ART HISTORY, CINEMA & MEDIA STUDIES AND THE COLLEGE
UNIVERSITY OF CHICAGO
Greek and Ancient art: books
Corpus Vasorum Antiquorum: Malibu, J. Paul Getty Museum, fascicule 7. Malibu: J. Paul Getty Museum 1997.
Style and Politics in Athenian Vase-Painting: The Craft of Democracy, circa 530–460 BCE. Cambridge, UK: Cambridge University Press 2002
The Emergence of the Classical Style in Greek Sculpture. Chicago: University of Chicago Press 2010. Paperback: 2013.
Art & Archaeology of the Greek World: A New History, c. 2500–c. 150 BCE, London and New York: Thames and Hudson 2011.
Kunst und Archäologie der griechischen Welt: Von den Anfängen bis zum Hellenismus. Mainz: von Zabern 2013.
Art & Archaeology of the Greek World: A New History, c. 2500–c. 150 BCE, Second edition. London and New York: Thames and Hudson 2019.
Conditions of Visibility. Oxford: Oxford University Press 2019.
Pindar, Song, and Space: Towards a Lyric Archaeology (co-authored with Leslie Kurke). Baltimore, MD: Johns Hopkins University Press 2019.
Winner, 2020 PROSE Award in Classics, Association of American Publishers.
Greek art: other
“The Lion’s Eye: Imitation and Uncertainty in Attic Red-Figure,” Representations 51 (1995): 118–53.
​
“Beazley and the Language of Connoisseurship,” Hephaistos 15 (1997): 7–30.
​
“Imitation, Inscription, Antilogic,” Métis. Revue d’anthropologie du monde grec ancien 13 (1998): 17–38.
​
Review of Mary B. Moore, Corpus Vasorum Antiquorum: Malibu, J. Paul Getty Museum, fascicule 8. Bryn Mawr Classical Review (2000).
​
Framing the Gift: The Politics of the Siphnian Treasury at Delphi.” Classical Antiquity 20 (2001): 273–336.
[pdf]
​
Abridged version: “Framing the Gift: The Siphnian Treasury at Delphi and the Politics of Architectural Sculpture.” In The Cultures within Greek Culture: Contact, Conflict, Collaboration, edited by C. Dougherty and L. Kurke, 129–49. Cambridge, UK: Cambridge University Press 2003.
​
“Space and Politics: On the Earliest Classical Athenian Gravestones.” Apollo 156 (July, 2002): 20–27.
​
​
“The Athenian Treasury at Delphi and the Material of Politics.” Classical Antiquity 22 (2004): 63–93.
[pdf]
​
Review of Clemente Marconi, ed., Greek Vases: Images, Contexts and Controversies. Bryn Mawr Classical Review (2004).
[link]
​
“Delphi, Olympia, and the Art of Politics.” In The Cambridge Companion to Archaic Greece, edited by H.A. Shapiro, 245–64. Cambridge, UK: Cambridge University Press 2007.
​
“The Incontinence of Civic Authority: Pictorial Iambos in Athenian Vase–Painting.” In The World of Greek Vases, edited by V. Nørskov et al., 205–18. Rome: Edizioni Quasar 2009.
[pdf]
​
“Jean-Pierre Vernant and the History of the Image,” Arethusa 43 (2010): 181–95.
​
“Sacrificing Stones: On Some Sculpture, Mostly Athenian.” In Greek and Roman Animal Sacrifice: Ancient Victims, Modern Observers, edited by Christopher Faraone, Bruce Lincoln and Fred Naiden, 99–119. Cambridge, UK: Cambridge University Press 2012.
​
“‘A Tomb Both Great and Blameless’: Marriage and Murder on a Sarcophagus from the Hellespont,” Res: Anthropology and Aesthetics 61/62 (2012): 98–115.
​
“Texte et image dans l'Antiquité,” (with Susanne Muth, Agnès Rouveret and Ruth Webb), Perspective. La revue de l’Institut national d’histoire de l’art (2012): 11–28.
​
“Cosmos and Discipline.” In Heaven on Earth: Temples, Ritual, and Cosmic Symbolism in the Ancient World, edited by Deena Ragavan, 453–59. Chicago: Oriental Institute 2013.
​
“Pindar Fr. 75 SM and the Politics of Athenian Space,” Greek, Roman and Byzantine Studies 54 (2014): 527–79.
Co-authored with Leslie Kurke.
​
“Greek Art and Archaeology.” In The Oxford Bibliography of Art History, edited by T. da Costa Kauffman. Oxford: Oxford University Press 2014.
​
Review of Nigel Spivey, Greek Sculpture (2013). Classical Review 64 (2014): 268–70.
​
“Classical Sculpture.” In The Encyclopedia of Aesthetics, 2nd edition, ed. Michael Kelly. Oxford: Oxford University Press 2014.
​
“Pitiless Bronze,” Art in America December, 2015.
​
"Was the Knidia a Statue? Art History and the Terms of Comparison." In Comparativism in Art History, edited by JaÅ› Elsner, 145-64. New York: Routledge.
​
"Ornament, Incipience and Narrative: Geometric to Classical." In Ornament and Figure in Graeco-Roman Art: Rethinking Visual Ontologies in Classical Antiquity, edited by Michael Squire and Nikolaus Dietrich, 203-39 (Berlin: De Gruyter 2018).
[pdf]
​
"Amber, Oil and Fire: Greek Sculpture beyond Bodies." Art History 41 (2018): 466-91.
[pdf]
​
"L'histoire de l'image (après Vernant)." In Relire Vernant, edited by Stella Georgoudi and François de Polignac, 169-86 (Paris: Les Belles Lettres 2018).
​
“Introduction.” In Conditions of Visibility, edited by R. Neer, 1-6 (Oxford: Oxford University Press, 2019).
“Three Types of Invisibility: The Akropolis of Athens.” In Conditions of Visibility, edited by R. Neer, 7-42 (Oxford: Oxford University Press, 2019).
​
“Ancient Greek Vessels between Sea, Earth, and Clouds.” In Vessels: The Object as Container, edited by Claudia Brittenham, 6-49 (Oxford: Oxford University Press, 2019).
french art
“Poussin, Titian, and Tradition: The Birth of Bacchus and the Genealogy of Images,” Word & Image 18 (2002): 267–81.
​
“Poussin and the Ethics of Imitation,” Memoirs of the American Academy in Rome 51/52 (2006/2007): 298–344.
​
“Poussin’s Useless Treasures.” In Judaism and Christian Art, edited by H. Kessler and D. Nirenberg, 328–58. Philadelphia: University of Pennsylvania Press 2010.
​
“Before Realism,” Art in America (January, 2017): 58-65.
“Bourdon, Bosse and the Rules of Art.” In Classicisms, edited by Larry Norman and Anne Leonard, 30-41.Chicago: University of Chicago Press/Smart Museum 2017.
[pdf]
​
StylE, evidencE,HISTORIOGRAPHY
“Beazley and the Language of Connoisseurship,” Hephaistos 15 (1997): 7–30.
​
“Connoisseurship and the Stakes of Style.” Critical Inquiry 32 (2005): 1–26.
​
“The Rule of Style.” In Cahiers Parisiens/Paris Notebooks 2, edited by R. Morrissey, 404–21. Chicago: University of Chicago 2007.
​
“Connoisseurship: From Ethics to Evidence.” In An Archaeology of Representations: Ancient Greek Vase-Painting and Contemporary Methodologies, edited by D. Yatromanolakis, 25–50. Athens: Kardamitsa 2009.
​
“Introduction.” In Leo Steinberg, Michelangelo’s Sculpture, edited by S. Schwartz, xi-xiv. Chicago: University of Chicago Press 2018.
[pdf]
​
theory, CInema, contemporarY
Davidson and His Interlocutors, a special issue of Critical Inquiry co-edited with Daniele Lorenzini.
“Godard Counts,” Critical Inquiry 34 (2007): 135–73.
​
“Terrence Malick’s New World,” nonsite 2 (2011).
[link]
​
“Reaction and Response.” Critical Inquiry 30 (2004): 472–76.
​
“Tumbling into Time.” In Charles Ray Sculpture 1997–2014, edited by James Rondeau (Chicago: Art Institute of Chicago and Basel: Kunstmuseum 2014), pp. 57–75.
​
“Lightweight: Mizoguchi, Ugetsu and the Displacement of Criteria.” In “Davidson and His Interlocutors,” edited by D. Lorenzini and R. Neer. Special issue, Critical Inquiry 45 (2019): 496-530.
[pdf]